I then set the camera up on my tripod to get a steady, static shot.
When Lucy and Alannah arrived we went back over Alannah's lines which, luckily, she could remember from the previous week. I got them sat in the correct position, huddled in a corner connoting their vulnerability and how they'er trapped in the traumatising situation. I also kept in the blue door from the previous shot because I liked the sad, cold connotations of the colour. Once they were positioned in the shot correctly I plugged the microphone into the camera and wedged it between Alannah and Lucy's legs with it pointing at Alannah's face in order to pick up her voice. It was successfully hidden from view.
Then we did a few takes to make sure the final footage was right. I had some practices with the manual focus again to make sure the final shot was clear and I had to reintroduce my hand signals so Alannah's lines were delivered slow enough to have the effect I wanted. I also had to re-do a few shots because she kept moving her legs and I wanted everything to be very still in the shot, almost like the characters are in the eye of a storm, suspended in disbelief.
I also had Lucy put her head in her hand because this further connoted her despair at the loss of her parents.
Overall I am happy with how the re-shoot went and I felt more in control of the process the second time round as I had a better idea of how to achieve what I wanted with the shot more effectively.
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