I then had to readjust the white balance using a piece of white paper to ensure the colouring of the shot was right.
I decided that I wanted all the flashbacks to be handheld because it will make them feel more personal therefore connoting that they're from Emma's perspective. It also brings the audience into the scene, making them feel more a part of Emma's world. This will allow them to sympathise with her more and make her situation even more tragic. It also brings them into the story, engaging them in the opening scene and making them more inclined to watch the rest of the film.
In this shot I positioned the camera from almost over Emma's shoulder but keeping her face well in view because I wanted her happiness to be clearly visible to the audience. This makes the death of her parents even more tragic as we see the how close the relationship was between her and her mum. To show this even more I moved the camera around from the side to the front of her body during one of the takes to show her face more clearly. In some I moved the camera around less. I am going to look at the different levels of movement in the editing process to see which one flows better in the opening.
I had Lucy wearing a white top in this scene to connote her innocence, happiness and comfort in her home environment, her safe haven. This greatly contrasts to her darker outfit and dark lighting in the next flashback as we see the threat of the murderer becoming ever more serious.
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